BIO

Member of the Creative Union of Artists
Member of the Union of Russian Artists
Member of the Eurasian Art Union
Member of the Professional Union of Artists of Russia
Member of the Unified Register of Professional Artists of the Russian Empire, the USSR, the "Russian Diaspora," the Russian Federation, and the Republics of the Former Soviet Union (18th–21st Centuries)
1st and 2nd place in the International Competition "Virtuosos of Contemporary Art"

INTERNATIONAL EXHIBITIONS:
2025 INTERNATIONAL CONTEMPORARY ART COMPETITION
2025 WORLD ART DUBAI
2025 MONAT GALLERY MADRID
2024 WOMEN IN ART BIENNALE LONDON
2024 THE MONACO ART FAIR

SOLO EXHIBITIONS:
2025 ART-COMMUNE GALLERY WITH THE SUPPORT OF THE EURASIAN ART UNION
2025 WODA GALLERY
2025 ARTMAISON GALLERY
2025 SOHO ROOMS ART INSPIRES BUSINESS

GROUP EXHIBITIONS:
2025 SEPTEMAS "GREY WIGWAM"

Artist Statement
Alina Enikeeva's artistic practice is structured as a system, not as a sequence of works. She approaches painting as a constructed and controlled field, where energy is disciplined by form.

The tension between excess and structure underlies Alina Enikeeva's work. She is interested in moments when emotional intensity reaches its peak and must either collapse or transform into clarity. This threshold, in masculine form, between impulse and control, body and intellect, silence and affirmation becomes the main theme of her paintings.

Working primarily with acrylic on canvas, the artist creates multilayered surfaces that simultaneously retain movement and restraint. Gesture in her works is always directed. Texture is a contained pressure. Composition is a framework that allows intensity to exist without dissolving.

Her paintings explore power as a condition. Power is manifested through stillness, through compositional balance, through confidence in untouched space. The body, when present, is an embodied structure. Silence in her works is authority without explanation.

Alina Enikeeva is interested in repetition as a strategy. Her series function as evolving systems, each work reinforcing and expanding a central idea. This continuity creates a visual language that is recognizable, scalable, and internally consistent. She constructs a coherent architecture of thought.

Her practice exists at the intersection of emotional intensity and disciplined execution. Excess is present, and it is restrained. Movement exists, and it is measured. The viewer is invited into a space where control and vitality coexist, where power needs no self-proclamation.

Through this structure, Alina Enikeeva strives to create works that retain their presence over time: paintings that do not depend on narrative explanation, but assert themselves through form, tension, and compositional authority.

Education

2024–2025
Art & Visual Institute, Moscow, Russia
Master of Visual Arts
2012–2015
Bauman Moscow State Technical University, Moscow, Russia
Architectural Design
2008–2009
Plekhanov Russian University of Economics, Moscow, Russia
Commercial Enterprise Analytics and Business Profitability Calculation
2005–2007
Moscow State University of Service and Tourism, Moscow, Russia
Sociologist-Analyst
2002–2005
Penza State Pedagogical University, Penza, Russia
Sociology
1995–2000
V.E. Tatlin Art School, Penza, Russia
Academic Drawing and Painting